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"Eyal Weizman"



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Painting Size 80 x 60 cm
© » KADIST

Ali Eyal

Textile (Textile)

Formed from pillowcases, each of which contains an embroidered calligraphic text as well as drawings depicting dreams, Ali Eyal’s Painting Size 80 x 60 cm is part of a long-term project which records and indexes such dreams. “I rode on my cousin’s back, laughing until the heaviness of my body weighed his to the floor. At the time I was with him on their large farm that he always dreamed of visiting.

Ali Eyal

Artist Ali Eyal’s practice aims to explore the complex relationship between community and politics using different media such as video, installation, photography, and painting...

© » TATE EXHIBITIONS

about 3 months ago (02/12/2024)

Expressionists | Tate Modern Discover the story of the friendships that made modern art Explore the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider ...

© » HYPERALLERGIC

about 5 months ago (12/13/2023)

German School Cancels Forensic Architecture Lecture on Police Killing Skip to content A video piece by Forensic Architecture screens during the Turner Prize Photocall at Tate Britian on September 24, 2018 in London, England (photo by Mark Milan/Getty Images) Over 200 students, faculty members, and alumni at Germany’s Rheinisch-Westfälische Technische Hochschule (RWTH) Aachen University signed an open letter published yesterday, December 12, condemning the school’s cancellation of a lecture with Forensic Architecture (FA), a research firm that investigates human rights concerns worldwide...

© » ARTNET

about 5 months ago (12/12/2023)

Increasingly, cultural workers are discussing boycotting Germany...

© » 1854 PHOTOGRAPHY

about 5 months ago (12/06/2023)

These are the most exciting photobooks out this winter - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Hérédité from No Sovereign Author & The Patients of La Fabrique du Pré’s An ABC of Psychiatry...

© » TWOCOATSOFPAINT

about 5 months ago (11/30/2023)

NYC Selected Gallery Guide: Dec 2023 – Two Coats of Paint Bortolami: Jutta Koethe in “ Good Luck Spot ” Hey galleries and artists! If you have enjoyed being included in our NYC Selected Gallery Guide and find it a helpful way to get the word out to promote your exhibitions, please consider making a tax deductible contribution to Two Coats of Paint ...

© » ARTS EQUATOR

about 65 months ago (01/10/2019)

Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part I) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Natasha Harth for QAGOMA untitled (giran) (2018), Jonathan Jones in collaboration with Dr Uncle Stan Grant Snr AM January 10, 2019 By Marcus Yee (1259 words, five-minute read) This is the first of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019...